James Weldon
Johnson
(June 17, 1871 - June 26,
1938)
James Weldon Johnson was
an American author, politician, critic, journalist, poet, anthologist,
educator, lawyer, songwriter, early civil rights activist, and prominent
figure in the Harlem Renaissance.
Johnson is best remembered for his writing, which includes novels, poems,
and collections of folklore. He was also one of the first African-American
professors at New York University. Later in life he was a professor of
creative literature and writing at Fisk University.
Life
Johnson was born in Jacksonville,
Florida, the son of Helen Louise Dillet and James Johnson. Johnson was
first educated by his mother (a musician and a public school teacher -
the first female, black teacher in Florida at a grammar school) and then
at Edwin M. Stanton School. At the age of 16 he enrolled at Atlanta University,
from which he graduated in 1894. In addition to his bachelor's degree,
he also completed some graduate coursework there.
He served in several public
capacities over the next 35 years, working in education, the diplomatic
corps, civil rights activism, literature, poetry, and music. In 1904 Johnson
went on Theodore Roosevelt's presidential Campaign. In 1907 Theodore Roosevelt
appointed Johnson as U.S. consul at Puerto Cabello, Venezuela from 1906-1908
and then Nicaragua from 1909-1913. In 1910 Johnson married Grace Nail,
the daughter of a prosperous real estate developer from New York.In 1913
he changed his name officially from James William Johnson to James Weldon
Johnson. He became a member of Sigma Pi Phi and Phi Beta Sigma Fraternity,
Inc. at some point after its founding in 1914.
Today, James Weldon Johnson
College Preparatory Middle School is named after him. In 1916, Johnson
joined the staff of the NAACP. In 1920, he became general secretary of
the NAACP.
Education and Law
After graduation he returned
to Stanton, a school for African American students in Jacksonville, until
1906, where, at the young age of 23, he became principal. Johnson improved
education by adding the ninth and tenth grades. In 1897, Johnson was the
first African American admitted to the Florida Bar Exam since Reconstruction.
In the 1930s Johnson became a Professor of Creative Literature and Writing
at Fisk University in Nashville, Tennessee where he lectured not only on
literature but also on a wide range of issues to do with the life and civil
rights of black Americans.
Music
In 1899, Johnson moved to
New York City with his brother, J. Rosamond Johnson to work in musical
theater. Along with his brother, he produced such hits as "Tell Me, Dusky
Maiden" and "Nobody's Looking but the Owl and the Moon". Johnson composed
the lyrics of "Lift Ev'ry Voice and Sing," originally written for a celebration
of Lincoln's birthday at Stanton School. This song would later become to
be known - and adopted as such by the NAACP - as the Negro National Anthem.
The song was entered into the Congressional Record as the official African
American National Hymn following the success of a 1990 rendition by singer
Melba Moore and a bevy of other recording artists. After successes with
their songwriting and music the brothers worked at Broadway and collaborated
with producer and director Bob Cole. Johnson also composed the opera Tolosa
with his brother J. Rosamond Johnson which satirizes the U.S. annexation
of the Pacific islands. Aged around 30, James W. Johnson had already written
Lift Ev'ry Voice and Sing and been admitted to the Florida bar.
Diplomacy
In 1906 Johnson was appointed
US consul of Puerto Cabello, Venezuela. In 1909, he transferred to be the
US consul of Corinto, Nicaragua.[3] During his work in the foreign service,
Johnson became a published poet, with work printed in the magazine The
Century Magazine and in The Independent.
Literature and Anthology
During his six-year stay
in South America he completed his most famous book The Autobiography of
an Ex-Colored Man which was published anonymously in 1912. It was only
in 1927 that Johnson admitted his authorship - stressing that it was not
a work of autobiography but mostly fictional. Other works include The Book
of American Negro Spirituals (1925), Black Manhattan (1930), his exploration
of the contribution of African-Americans to the cultural scene of New York,
and Negro Americans, What Now? (1934), a book calling for civil rights
for African Americans. Johnson was also an accomplished anthologist. Johnson's
anthologies provided inspiration, encouragement, and recognition to the
new generation of artists who would create the Harlem Renaissance of the
1920s and 1930s.
Poetry
The poetry of Johnson, Paul
Lawrence Dunbar, and the works of people like W.E.B Dubois ignited the
Harlem
Renaissance. In 1922, he edited The Book of American Negro Poetry,
which the Academy of American Poets calls "a major contribution to the
history of African-American literature." One of the works for which he
is best remembered today, God's Trombones: Seven Negro Sermons in Verse,
was published in 1927 and celebrates the tradition of the folk preacher.
In 1917, Johnson published 50 Years and Other Poems.
Activism
While serving the NAACP
from 1920 through 1931 Johnson started as an organizer and eventually became
the first black male secretary in the organization's history. Throughout
the 1920s he was one of the major inspirations and promoters of the Harlem
Renaissance trying to refute condescending white criticism and helping
young black authors to get published. While serving in the NAACP Johnson
was involved in sparking the drive behind the Dyer Anti-Lynching Bill of
1921.
Shortly before his death,
Johnson supported efforts by Ignatz Waghalter, a Polish-Jewish composer
who had escaped the Nazis, to establish a classical orchestra of African-American
musicians. According to musical historian James Nathan Jones, the formation
of the "American Negro Orchestra" (as it was then known) represented for
Johnson "the fulfillment of a dream he had had for thirty years."
James Weldon Johnson died
in 1938 while on vacation in Wiscasset, Maine, when the car he was driving
was hit by a train. His funeral in Harlem was attended by more than 2000
people.
(source: Wikipedia)
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